"I love you" he said.It took some time to get ready. Bill was skilled at woodworking and built the casket himself. Jennifer sewed the satin lining. It always brought her great pleasure to work with Bill on projects, even something strange like this. Working together, it was finished just before Bills birthday. They converted the spare room to look like a funeral parlor, and set the casket on a stand in the middle of the room. Bill asked Jennifer if she wanted to try it. She said "no, I have a few more arrangements to make first" In truth, She had plans for Bill's birthday and wanted it to be really special.The next day, after Bill had left for work, Jennifer finished the arrangements. She surrounded the casket with flowers and candles. Then she went shopping. She brought a long white gown of fluid, form revealing satin. She bought white silk stockings and satin slippers. She bought a pair of long white gloves. An hour before Bill was due home, Jennifer slipped into her gown. Then she. Although it was a picture-perfect match between families of the same class in terms of standard of living and affluence. There were some ideological differences which had to be ironed out through compromises.The chieftain wanted Prakash and Vidya to reside in the village and look after the agri-based family business. However, the newly wedded couple wanted to stay in the town at least for the first few years. Much to the bride’s chagrin, it was settled that they would settle in a village though in a separate smaller house.But this story is not about Prakash and Vidya, it is about Manoj.Manoj:Manoj was a 50-year-old, potbellied dark and bald, potter and craftsman, who used to stay next to the newly married couple. Though once a part of a flourishing family, Manoj was the sole custodian of dying art having been abandoned by his immediate family including his wife.Manoj spent his days practicing his art and reminiscing the past days of glory. Though he was not a simpleton, he did not.
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